From corrective to creative vocal production all the way to the final polish, Nectar 3 brings out your intended performance in isolation and in the context of the mix. Put your vocals in their place with everything you need for a clear, professional sound. Introducing iZotope Nectar 3. Online Mixing Mastering. May 22, 2017 We had a visit from the folks at iZotope who showed us the new features in RX 6 - the latest version of their audio restoration toolkit. Check our Awesome MA.

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You’re an aspiring producer, making beats, recording sounds, trying to make it all fit together, and working mostly out of your home recording studio. You’ve got some mixing chops—the problem is, when it’s time to do a lead vocal at your house, it just never sounds right. Ditto for that acoustic guitar—you don’t want to go direct anymore, but it’s just not sounding convincing enough when you have someone lay it down.

If that sounds like you, read on: we’re going to give you some hacks for recording in your project studio. With a focus on those who make music out of their domiciles, we’ll walk you through the steps you should take for securing clear, natural recordings, from room treatment to microphone technique.

1. Treat your room for recording

Room treatment is not in any way sexy. Nobody wants to drop five hundred bucks on something that can’t make a sound. Sure, I could go on and on about how fantastic a modicum of room treatment will make your inexpensive gear sound. I also have great recipes for cauliflower rice, and you’d probably be just as interested in that.

Still, room treatment—especially in domicile-based studios—is essential, even if we discount room treatment for mixing (which we shouldn’t). But let’s say you’ll never take off your headphones when producing, no matter the pro advice. You should still outfit a segment of your workspace to achieve proper recordings.

For vocals, you can get the cage that wraps around a mic stand, but I’d wager you’re better off actually treating dedicated portions of the room for recording. If you can only devote a segment of your room to audio capture, that may work out in your favor:

Sure, you may want to convert a closet into an iso-booth, but you very well stand a better chance with a larger, multi-use space, as is-booths are hard to treat correctly. Handled wrong, you’ll get a muddy, lifeless sound for a variety of acoustic reasons. It’s easier to achieve tonal balance in a part of your multipurpose room, believe it or not.

How to go about treating your room for vocal recordings varies on its shape, the materials of construction, and your budget. There is no one-stop solution I can provide, except to suggest that you do the proper research. Many companies, like GIK, offer free advice on how to go about treating a room on any budget. Other sources, such as this article, can be helpful.

And really, you ought to treat your room for mixing purposes as well. It goes a long way to securing mix translation. You can read up on where to do so here.

Treatment geared to both scenarios—recording and mixing—is essential, because there’s no such thing as a demo anymore. With shrinking budgets and satellite schedules, any serious producer is expected to craft material that could go out for mass consumption. The better treated your recording environment is, the better your chances of capturing a usable performance.

2. Invest in a solid mic chain

The same assumption here: your audio needs to sound as radio-ready as possible. You can work all your magic at the mixing stage, but if you’re a producer looking to create great sounds efficiently, it helps to have a solid recording chain to bring life to your audio on the way in. I’ve often heard breakdowns like, “50% of a good sound is the singer, 40% is the room, and 10% is the gear involved.” If you think it’s true, then it behooves you to go for that extra 10%!

It may take a while to save up for good recording gear, but even one channel is worth the expense. And, luckily for you, many interfaces in the sub-$1000 range sound great. Provided you’re working at sample rates at or under 48 kHz, Spire can act as one such interface since its preamps were made by Grace Design—a manufacturer of high quality, transparent preamps. If you don’t have the scratch to shell out for vintage gear or clones thereof, go for clean and transparent: you can vibe the sound later on with Neutron 2, Ozone 8, or Nectar 3, which all boast saturation settings.

iZotope’s award-winning RX 6 Audio Editor is the industry standard for audio repair, restoration, and enhancement. It offers a comprehensive suite of tools focused on alleviating common to complex audio issues. Post production professionals, audio engineers, and video editors alike use RX to transform problematic recordings into production-ready audio.

Design Philosophy

The RX 6 Audio Editor is a visual, selection-based editing environment. Most of its user interface is devoted to the Spectrogram/Waveform display, an integral part of the RX editing workflow. The display enables you to refine and visualize your audio, allowing for better recognition and selection of problem areas.

Using the spectrogram to identify audio problems

• See the Identifying Audio Problems chapter for tips on using the spectrogram to spot common audio issues.
  

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RX Audio Editor Feature Comparison Chart

RX Module Comparison Chart

RX Plug-in Comparison Chart

How To Clean Saturation With Izotope Rx 6 Declipper Plugin

This help guide is shared by RX 6 Elements, RX 6 Standard and RX 6 Advanced. The following tags are used throughout the manual to differentiate the feature sets:

• [STD & ADV] Indicates that a feature is included in RX 6 Standard and RX 6 Advanced.
  
• [ADV] Indicates that a feature is exclusive to RX 6 Advanced